MRSH SJUB 1987

Captures of our Marshall JCM 25/50 Silver Jubilee 1987

4.7
Price range: 20.00 € through 25.00 €

Watch capture demos and our introduction to the Marshall Silver Jubilee 2555 from 1987 here:

Playthrough of the capture set

The limited edition Marshall 2555 model, named Silver Jubilee was meant to commemorate 25 years of Marshall and 50 years of Jim Marshall being in the music business.

The amp became a legend in itself. It has graced the stages and studios by such names as Slash, Joe Bonamassa, John Frusciante, Matthew Bellamy, Thomas DeLonge, Richie Faulkner and many more.

The Silver Jubilee has its roots in the JCM800 model, but has more gain, lows and grit on tap.

It is extremely versatile and reacts exceptionally well to EQ adjustments. Without the help of pedals it will take you from nice cleans to singing lead tones and chuggy rhythm tones that you can dial in as dark or bright as you wish them to be.

The capture set features 47 DI captures. 3 custom IR’s are included – our original 1960A with G12M75Hz Pulsonic cone Celestions and the original 1980B cab with G12H55Hz Pulsonic Celestion speakers as well as the Mesa 4X12 with UK made Celestion V30’s.  Mics used were 2x Royer R121, U87 and a Beyerdynamic M160. See a full list of included captures in the product picture section.

Jesus Ramirez

QRO, Mexico

Tonex DI

Version: V1

Excellent!

I almost skipped this pack because I saw someone mention that it "needed more clean captures." After spending time with it, I honestly think that misses the point. These captures are incredibly well made. The Clean, Edge, Crunch, and Lead variations aren't just different gain levels—they each have their own feel and response. I ended up building my entire base tone from a single tone model named RH Edge WRM, simply by adjusting the preset Gain and Treble until it felt right for my playing. The dynamics are what impressed me the most. The amp reacts naturally to pick attack and guitar volume, and it has that chewy compression that makes you want to keep playing instead of endlessly tweaking parameters. For my personal taste, I paired the captures with the included Marshall 1960A 1968 G12H30 55Hz IR, and that was the missing piece. It gave me exactly the warm, responsive edge-of-breakup sound I had been chasing for a John Frusciante-inspired tone. Full, dynamic, and smooth, with just a touch of brightness—but that's where the Treble control came in. I ended up lowering it from 5 to 0 on my Road Worn Strat with Tex-Mex pickups, and it was exactly what I was looking for. Of course, everyone's ears and guitars are different, but that IR was the one that completely won me over. If you're expecting dozens of ultra-clean captures, you might think something is missing. But after actually using the pack, I realized the existing captures cover a huge range thanks to how naturally they respond. At the moment, I'm completely covered with just one main preset, and that's saying a lot. Outstanding work by Amalgam. This pack completely changed my experience with TONEX. If you're chasing John Frusciante or similar edge-of-breakup tones, this is an absolute must-buy.

Mark Cropp

WI, United States

Tonex DI

Version: V1

Definitely recommended!

What a fantastic capture! If I could give this 10 out of 5 stars I would. It is that good. The DI option let's you tweak the sound even more. There are three provided cabinets that sound great. I wanted versatility and this amp capture certainly gives me that. These presets sound great through my: Strat, Tele, and Les Paul. Thank you very much for doing all the hard work and providing a great product for a very reasonable price!

Richard Duncan

ON, Canada

Tonex DI

Version: V1

Meh.

The gain captures were ok, but the cleans were very underwhelming, and there were only 2 or 3 of them all with the same gain settings (fairly high). I would expect much more from what I would considering an amp that does cleans better than anything else.

  • 3x 12AX7
  • 4x EL34
  • Fixed bias
  • Class AB
  • 100W output

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