FNDR MACH

Captures of our Fender Machete 2012

5.0
Price range: 15.00 € through 18.00 €

This one is a bit obscure because the FNDR MACH was a very short lived model that wasn’t a sales success due to many factors, but none of which was the actual sound of the amp. There were only 500 units made and it can indeed be considered a rare amp that not many have hada the chance to try. If you have not, i urge you to do so – it might be one of the best modern amps you’ve played.

It has an american style high-gain sound on the second channel, while the first channel goes from nice cleans that lean towards classic Fender side of things that can also get enough mids to micmick Marshall style sounds. It has an extremely versatile nad responsive EQ and some unique features like the notch control, which is another way to tailor the whole EQ curve of the amp.

Tracked through a MES 4X12 cab with V30 speakers and a 1968 MRSH 1960A with G12M75Hz Greenbacks featuring Pulsonic cones.

The set includes 22 amp+cab Tone Models. Please refer to the table with all included captures and settings in the product picture section.

Marcin Pecel

PODKARPACKIE, Poland

Tonex CAB

Version: V1

Best of the best - strong clean and punchy drive

Hi, I have 90% of the capturs from Amalgam Audio. I also have everything pack from Tone J for Kemper and Quad, some from Michael B. and some from Bert M. I prefer capturs with a guitar cabinet as close as possible to the natural, non-invasive sound straight from the microphones. The latest esential capturs from Amalgam are simply brilliant. Matchless Phonenix and Mesa Mark IV are my favorites. I like simple sounds with a bit of reverb and compressor. You can feel that it is a guitar combo with one 112 speaker or a guitar cabinet with 412 speakers. You get a round guitar treble with the natural expected bass, and what distinguishes each amplifier is the midrange, which is preserved fantastically depending on the amplifier. Captures are made in a very modern way, similar to York audio (guitar speakers). The bass and treble are not cut out immediately for the studio mix, but are left naturally like a real boost. If you want the best possible reproduction of your amplifier and your own live or studio processing, Amalgam captors are just for you. I already have my favorite amplifiers, but I still buy everything Amalgam puts out. I recommend Amalgam whenever and wherever I can. Worth the price.

  • 50W Output
  • 2 X 6L6
  • 5 X 12AX7
  • 1 X 12AT7
  • Solid state rectifier

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